Showing posts with label Elvira. Show all posts
Showing posts with label Elvira. Show all posts

Sunday, January 22, 2017

Hidden Underground (in Plain Sight)


I have owned a copy of The Hidden, Jack Sholder's sci-fi action classic (yes, I said it), since it first came out on VHS not long after its theatrical release in 1987. Watched that tape dozens of times, leading to a need to replace it eventually, and then I did an upgrade to the film when it came out on DVD years ago.

As much as I have seen The Hidden though, and even though I still own a copy, I feel that when a channel like Turner Classic Movies decides to show such a film on their TCM Underground slot late on Saturday nights, that I should do my part to support their decision to air it. So, even though I own The Hidden, I recorded it last night (they paired it with director Mike Hodges' 1974 take on Michael Crichton's novel, The Terminal Man) and watched it this afternoon, to give its showing whatever minute smidgen of ratings percentage that I can to tell TCM that I love it when they show films like this.

It's for the same reason that I watch the Universal classics on Svengoolie’s show as frequently as possible, even if he does chop the films up with commercial breaks. It's why I have followed Elvira through her various show incarnations over the last 35 years. Or the same reason I threw in my small support for MST3K's eventual return this year. And every once in a while, I will even scout the public access channels and find locals who have produced their own variations on horror host shows. Most are terrible What can I say? I have a lifelong fondness for sci-fi, horror, and exploitation films, and I especially love when airtime is committed to showcasing them on television (and now online).

Sadly, TCM Underground has not been hosted for quite some time. Rob Zombie was the original host, but that apparently went over like a lead balloon, and so TCM just shows a couple of genre films back to back with a neat lead-in sequence. The natural fit for TCM Underground would be somebody like Joe Bob Briggs, though I doubt they have any plans to bring a host back to the show. But, as long as TCM takes a small break every weekend from its normal fare (believe me, I watch an awful lot of that as well) and shows films like The Hidden, I will be there. Even if I do own the film already...

RTJ

Tuesday, October 18, 2016

Mr. Mixtape-ptlk, Track #6: "Halloweenhead" by Ryan Adams (2007)

Here is where I lose some of you, those of you who are not partial to Ryan Adams or his rather diverse take on popular music, or are easily misled by celebrity gossip, or think he is nothing more than a spoiled brat who needs to grow up (he pretty much has by this point), or just don't care to hear an interesting song from a nearly always (at least) intriguing singer-songwriter-producer because you have already made up your mind on the guy. Or maybe you simply have never heard of him, which wouldn't surprise me in some cases.

Or you just might think that I am talking about Bryan Adams instead, in which case, you are a goddamned bonehead.

I am not going to get too deep into the particulars of Ryan Adams' career here, nor his much written about life as the ex-husband of a pop star. (He recently split from wife Mandy Moore this year.) I just like a lot of his music; not all of it, but like any artist, he has highs and lows, and I have made my own list of highs from his shockingly prolific catalogue. I am OK with his stuff from his days in Whiskeytown, but I have been more a fan of his solo work, having nine of his albums in my collection, as well as a couple dozen live shows that I found on archive.org (that he has approved for sharing on there, mind you). It is, in fact, his live work where he is most appealing, both in his rapport with most of his loyal audience (he has gained some notoriety for getting in people's faces when they cross or upset him) and his quite remarkable ability to write freshly improvised songs on the spot with full lyrics. (This ability rules his life; he has shown up to recording sessions with a hundred new songs in tow).

The song at hand, Halloweenhead, might seem like a novelty throwaway song tied to a certain time of year, but while the lyrics are filled with talk of tricks, treats, black cats, candy, and costumes, this is not greasy kids' stuff. The song is a man, presumably Adams himself, a self-reformed user of cocaine, heroin, and other narcotics (he still smokes medicinal marijuana to deal with Ménière's Disease) with a history of alcohol abuse in his family, who is haunted by his own mind.

The official (and hilarious) video for the single release of the song and the lyrics:



"Here comes that shit again
I got a Halloween head
Head full of tricks and treats
It leads me through the nighttime streets
Black cats and fallen trees
Under ladders, always walkin'
Salt shaker spills, just throw it over your shoulder, babe

I got a bad idea again

I got a Halloweenhead
Halloweenhead

Head full of candy bags

costume shops and punks in drag
Head full of tricks and treats
Places where junkies meet
And it leads me through the streets at night
That's alright I just watch, I don't go inside
It's all the same old shit again
I got a Halloweenhead
I got a Halloweenhead
Lord, I got a Halloween head

Guitar solo!


I got a Halloweenhead

Lord, I got a Halloweenhead
I got a Halloweenhead
Oh Lord, I got a Halloweenhead

Here comes that shit again

I got a Halloweenhead
Head full of tricks and treats
It leads me through the nighttime streets
Downtown, downtown, downtown

I got a Halloweenhead

I got a Halloweenhead
Lord, I got a Halloweenhead
What the fuck's wrong with me?
God, I'm a Halloween head"

Written by Ryan Adams • Copyright © Warner/Chappell Music, Inc, BMG Rights Management US, LLC

The chorus starts off with "I got a bad idea again," like this is something that happens every single day, not just on October 31st, or at least quite regularly. And yet, the song is coated in images of the greatest holiday. He speaks of the ideas in his head "full of tricks and treats" leading him once more "through the nighttime streets". We  In the second verse, we get a taste of how his life has changed, when he mentions "places where junkies meet" and he shrugs off his visit with "That's alright, I just watch, I don't go inside". Adams recognizes the nearness of the danger, and how easy it would be for him to give in to the temptation: "It's all the same old shit again." By the song's close, he cries out, "What the fuck's wrong with me?"

But lest you think this is all maudlin navel-gazing and self-indulgent "woe is me" whining, Adams is blessed with a nervy sense of humor. He purposefully throws the song off-kilter halfway through with a gag involving the instrumental break. Following the second chorus, perhaps to offset the bleakness of the material, he yells out "Guitar solo!"... and then we hear a nice approximation of a guitar solo for a few bars... played on the keyboards. We don't get anywhere close to a actual guitar solo, and then the song returns to a reprise of the chorus.

It's not the first or last time that Adams' flirts with Halloween imagery in a song. His 2003 song Halloween is not actually about Halloween, and only uses the word once within the lyrics, but its inclusion is necessary to the metaphor within the bridge between the verses. In 2014, the official video for his Grammy-nominated song Gimme Something Good not only starts off with a traditional haunted house, pans through its corridors and rooms, candles being lit in the gloom, and atmospheric black and white cinematography, but also has Elvira herself hanging out and draping herself over the furniture. The selection is interesting, because the lyrics of Gimme Something Good have nothing to do with the surrounding video, not that this is anything new to the music video world.

In the past few months, Adams revealed a new song called Haunted House on his tour that once more employs traditional imagery associated with Gothic horrors within the lyrics to get across his more emotional content. Given the premiere of the song in his shows, it is very likely that Haunted House is planned to be part of an upcoming album release. 

Then again, if Adams has another 99 songs in tow when he enters the studio, Haunted House may never make it out of the studio alive.

RTJ

Saturday, October 25, 2008

Buzzing Thru the Pylon: Halloween Free-For-All, Pt. 5: Elvira

Count Dracula’s Great Love [El Gran Amor del Conde Dracula] (1972)
Director: Javier Aguirre
Spanish, 1:25, color
Cinema 4 Rating: haven’t seen yet

The Doomsday Machine (1972)
Director: Harry Hope & Lee Sholem
Cine-Find, 1:23, color
Cinema 4 Rating: haven’t seen yet

Frankenstein’s Castle of Freaks [Terror! Il Castello delle Donne Maledette] (1974)
Director: Dick Randall
Boxoffice/Aquarius, 1:29, color
Cinema 4 Rating: haven't seen yet

The Werewolf of Washington (1973)
Director: Milton Moses Ginsberg
Diplomat, 1:30, color
Cinema 4 Rating: haven't seen yet


As nostalgic as I seem at times, it is generally only about movies, books and music, and never about anything so ridiculous and abstract as "the good ol' days." And speak to me of my teenage years, outside of some friends I made in my last couple years of high school to whom I have remained more or less loyal in all this intervening time, and you will find that I hold remarkably little regard for that period of extreme failure and deep personal fault. Except for movies, books and music, that steadfast trio of tent-poles holding aloft the shelter of sanity above my head through those times (and onward into the future), I do not wish to be reminded of that period.

My friends from that time do not understand this attitude, and my mother recently ran into my fury over the barest mention of an incident in that time. That it was the lowest point of my existence is something others do not seem to comprehend -- and why should they? Things seem to have gone swimmingly for some of them. Anytime I do look back, I often wonder if, given a second chance at that period, I would have followed through on certain instincts and done the horrible things I considered at the time, both to others and myself. That I was lost in my head is a certainty; that I wanted retribution from both those I loved and hated is something that might surprise more than a few people. To co-opt the words of two of my personal heroes, Milk and Cheese, more so than at any other time in my life, I was a carton of hate and I was a wedge of spite.

Keeping me grounded, though, in those times was Elvira. Yes, the Mistress of the Dark, not the Oak Ridge Boys' song character. Sometime late in my high school days, I discovered Elvira's Movie Macabre, and it made me a happier person. The show was dopey as hell, it showed horrible movies, she had huge bazooms, and I was a randy teenager who needed cheering up. My outward cheerfulness masked a sincere, inner depression of unfathomable limits, and once a week, no matter how bad off I was inside, Elvira helped me climb out of that depression for a couple of hours on a Saturday afternoon (and sometimes evening).

My biggest regret is that I did not tape more episodes of her show at the time, even though I was taping every damn movie in sight. I only recorded one show in that period, the one featuring the unfortunate south-of-the-border Herbert L. Strock creature flick called Monstroid, and I still have the tape to this day. Luckily, a couple of years ago, Shout Factory started releasing episodes of her old shows onto DVD, amongst them, to my delight, was Monstroid. The beauty of the discs was, just like with the Mystery Science Theatre DVDs, most of the films are released in both their hosted and original versions. This works especially nice for the horror and sci-fi nut, like myself, who wants to both add the original film to his collection, but also get the better, intentionally funny version as well.

As I mentioned the other day, I took advantage of Amazon's Halloween sale a couple weeks back and scoured their cheap, cheap, cheap DVDs to find some films that had slipped through the cracks for me. In there were four Elvira's Movie Macabre discs, each costing $6.49 or less. Like the Midnite Movie Double Features I wrote about last time, I had to jump at the chance to grab some more episodes of her show, as I only owned three of the DVDs thus far. Looking back, though, I could have saved even more money buying two of these movies on the same disc together for around nine bucks and change, but that is what happens when you make knee-jerk buying decisions like I did. Sometimes you miss the better deals. (But they made it so damn easy having all of those delectable discs all on the same page... I had no choice... I had to do it...)

Yet again, all four of these films are ones of which I have little or no experience. If I saw these episodes on the original show, I really don't recall. Some episodes, like The Conqueror Worm, The Blood on Satan's Claw and the incredibly gratuitous Mark of the Devil, I remember very well, but only in cases where the films were especially strong, as seeing these films on her show were my first and often my only experiences with those titles until years later. I suppose as I watch these discs that I might raise up memories of seeing these exact episodes, but truly, from immediate recollection, I can't recall seeing any of these films.

And that will be just fine. For to recall them, would be to recall the period. Better that I leave most of my memories of that time mainly in a sort of uncolored and distasteful mush.

And better that I make most of my memories of Elvira's Movie Macabre memories of today instead. Watch them now, and then date those memories to this year, instead of a past I do not wish to recollect. Elvira only says "Unpleasant Dreams" as a catchphrase of her charmingly titillating character. It's worse to continue to have the same ones for over a quarter century. And for the curious or those that continue to not understand, please let those days rest.

Let me watch Elvira today instead...

The 50 Something or Other Songs of 2017: Part 2

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