Dir.: Jerry Dugan
Cinema 4 Rating: 3/9
Shark species: Bull shark (Carcharhinus leucas)
Hero species: Dolph Lundgren (Wearius longindatoothinas)
I suppose that if one were to assign a particular shark species to the actor Dolph Lundgren, a bull shark might be a fairly decent choice. Known for their tenacity and aggressive behavior, the bull shark with its tough guy physique and unstoppable bite force seems to be a perfect parallel to action star Lundgren, now pushing sixty and hanging by his fingertips onto whatever he has left of a Hollywood career. This struggle seems to include appearing in films of the caliber of Shark Lake, where Dolph crosses paths -- in Lake Tahoe, of all places -- with that very same bull shark.
That's right... Lake Tahoe. One might at first do an extremely comedic double-take upon hearing that this alpine-style lake on the California-Nevada border is being mentioned in connection with a film about bull shark attacks. But one has to remember that while shark films are loaded generally with massive leaps in logic, of the relatively few sharks that could, given the proper scenario, conceivably live and thrive in such a lake, the bull shark is the species that would likely pull it off the best.
Bull sharks are common visitors up freshwater rivers worldwide, including our own Mississippi, and even appear rather frequently in bodies of water such as Lake Nicaragua, Lake Pontchartrain, and Lake Michigan. Whether these bull sharks get into these lakes via tributaries, rivers, or flooding, once there, their ability to handle different water salinities (known as being euryhaline, allowing them access to both fresh and saltwater systems with little effect on their bodies) gives the bull shark the ability to thrive anywhere, one of the very few cartilaginous fishes that can do so.
Sara Malakul Lane with Lily Brooks O'Briant. |
The film opens with scenic shots of Lake Tahoe, and you should probably enjoy them while you can, because most of this film was shot in Mississippi. Hernandez and the sheriff (Lance E. Nichols) are creeping through the woods to try to arrest Clint Gray. Seeing his door ajar, they enter and find in the dark a bloody handprint (never explained), a bloody knife on the ground, several animal cages and tanks inside his house, some of them smashed and bent, and living animals such as a constrictor and a large catfish. Suddenly, a white Ford van takes off outside, and the police give chase. We finally see Gray inside the van, and as he drives frantically through the night, he makes a call to arrange a delivery time with someone. But suddenly, he crashes his van through a railing and the vehicle dives deep into the waters of Lake Tahoe.
We never see the van enter the water (we just hear a budget-saving splash sound effect) and the next time we see Gray/Dolph, he is swimming at the bottom of the lake, the headlights from his van illuminating the water around him from behind. As he swims to make his getaway, we see the shadowy outline of a fairly good-sized shark swimming behind him. The shark, which later will act completely ravenous, doesn't even make a bite-sized attempt to try to go after Dolph. Dolph swims one way; the shark swims the other.
The film will be built around this moment: when the shark supposedly goes in the water. But the director gives us no help in this matter. While we could ascertain that Gray is an animal smuggler from the evidence of the cages in his home, he could also just be an animal enthusiast with a series of pets beyond the norm. For all we know going into the story, Gray is just a guy on the wrong side of the law, his alleged crimes wholly unmentioned by the police. We don't know anything about the shark, not even a clue. The first time we know there might be a shark in the film is in the title; the second is when we see the shadowed outline of the shark in the water behind Gray.
As I said, the film doesn't help at all or even give us decent clues. There is no fleeting shot of a tank in the back of his van as he makes his escape, and since we never see the actual van in the water except for a pair of obvious CGI headlights, we don't get a shot of an open door or busted window to give us the shorthand to tell the story. It's almost like they went back and said, "You know, I'm not sure the audience will understand that a shark has escaped into the lake. Maybe we would should put in a CGI effect of a shark swimming behind Dolph so they will get it." (Or they could have just taken the necessary measures to storyboard an action sequence properly...)
Also, unless I am misinterpreting the effect, the shark seems to be of pretty good size when it hits the lake. I know the main character is played by Dolph Lundgren, so you can make allowances for him pulling some strongman antics when needed, but a tank that can hold a decent-sized bull shark for transport is going to need to be pretty sturdy and with good water capacity. Did Gray just happen to manage to sneakily slide the tank into the van before the police arrived? There was no empty tank shown in the house, so it's unlikely he just grabbed the shark with his hands and threw it into the back of the van without any water. He is, after all, attempting to deliver the shark to a big time mobster, so there is a lot of money involved, and I doubt he would take a chance like that when it is, as he tells the man on the phone, going to get there "in twenty minutes." And if he did just throw the shark into the back of the van, don't you think he would be more than worried that he is sliding all over the road with what is often considered to be one of the most aggressive and dangerous sharks in the world just slipping around in the back of his van? And even if the shark was secured inside a tank in the back of his van, wouldn't there be a lot of complications when he does get into that fast-paced, wildly careening car chase all over the backroads of Lake County in the middle of the night? You see, this is the stuff that drives me crazy...
I focus so much on the beginning of this film because the rest of Shark Lake entirely hinges on us believing that Lundgren's character allowed a bull shark to escape into Lake Tahoe. But there is another major sub-plot of the film that must be mentioned. Following Gray's arrest on the shores of the lake, Officer Hernandez is seen in the sheriff's office bonding with Gray's tiny, tow-headed daughter, Carly, herself already motherless (she is found all alone in Gray's house during the home invasion, I mean, necessary intrusion by the police. Hey, I didn't see a warrant...) The film then cuts to five years later. Hernandez has adopted Carly, and is now nervous about Clint Gray's recent release from prison. Much of the drama of the film, outside of the shark attack action, is built around the deputy's desire to retain custody of Carly while attempting to thwart Gray's reemergence into his daughter's life.
But we do have to deal with that shark attack action, and this is where Shark Lake is not just at its weakest, but actually serves as a fairly poor example of the genre. From this point forward, in the most steadfast of shark (and monster) attack films, Shark Lake will give us a series of scenes involving locals and tourists coming into deadly contact with the shark, with the usual gradual increase in our viewing of the creature as the attacks progress. It's an accepted storytelling cliche, but things are so much better when the shark scenes that follow are not just sloppy at best but knee-slapping ridiculous at their worst.
Our big opening clue as to the villain of the film... besides the title, that is... |
The film will be built around this moment: when the shark supposedly goes in the water. But the director gives us no help in this matter. While we could ascertain that Gray is an animal smuggler from the evidence of the cages in his home, he could also just be an animal enthusiast with a series of pets beyond the norm. For all we know going into the story, Gray is just a guy on the wrong side of the law, his alleged crimes wholly unmentioned by the police. We don't know anything about the shark, not even a clue. The first time we know there might be a shark in the film is in the title; the second is when we see the shadowed outline of the shark in the water behind Gray.
No joke... his missing arm will turn up on the bottom of the lake to be discovered by a diver. The shark doesn't even eat it. Sharks hate old people. |
"Here, let me just gum ya for a bit!" |
"This would be even more delicious if I were actually in the same shot as this guy!" |
But we do have to deal with that shark attack action, and this is where Shark Lake is not just at its weakest, but actually serves as a fairly poor example of the genre. From this point forward, in the most steadfast of shark (and monster) attack films, Shark Lake will give us a series of scenes involving locals and tourists coming into deadly contact with the shark, with the usual gradual increase in our viewing of the creature as the attacks progress. It's an accepted storytelling cliche, but things are so much better when the shark scenes that follow are not just sloppy at best but knee-slapping ridiculous at their worst.
Say it... |
...don't spray it! |
The most effective means of fending off a bull shark is NOT your crotch... unless you have HPV. |
"Hey, Ma! Do I have to smile like this the entire time in the film?" |
The tortilla chip swirled in salsa by Randall in Clerks was a more believable shark fin than this magical CGI creation. |
Sara Malakul Lane in her old day job. |
There is a point where Lane's character says, while reflecting on the death of an incidental character, "It's my fault. I shouldn't have let him come out here. We shouldn't be out here." Well, yeah... the single best way to not get attacked by sharks in a particular body of water is to not go in that water in the first place. So, you really only have yourself to blame, sister. On the other hand, you can't have a killer shark movie with someone getting killed by a shark. And unless your film is a total fantasia about sharks skipping about on dry land to munch on the populace, well, someone has to go in the water eventually. Might as well be you.
Just stay out of Lake Tahoe. The place is crawling with bull sharks. And Dolph Lundgrens.
2 comments:
Just now seeing this after so many years. I’m Lily Brooks’s mom. Check her new show out on Netlfix - ‘THE BIG SHOW SHOW’.
Oh & Thank you for the comments. That was Lily Brooks’s first professional role. You made her day!!
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