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This Week in Rixflix #14: June 9-15, 2017

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Going into this week, there was just one film on my mind: the new Universal version of The Mummy. I had a sense going in that it was probably not going to be great, and in a way that is quite unusual for me, I did not prepare for the film by watching a marathon of the original Universal Mummy flicks (all six of them, including the Abbott and Costello one), nor did I wade into the later Universal Mummy series with Brendan Fraser. (And don't even get me started on The Scorpion King spin-off series... to be fully honest, I am no fan of the Fraser films either.) Instead, I concentrated on other films and just waited for The Mummy to arrive. Jen had no interest in all with it and told me to "go see your buddy Tom" (a running gag that I must explain fully at some point in the future).

And yeah, the result was rather tepid. I did manage to have fun enjoying the film as a straight ahead monster flick, and enjoyed some of the character and set design. But I am so confused as to wh…

This Week in Rixflix #13: June 2-8, 2017

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Boy, did my movie count dip the week of June 2-8, and if I had not watched a slew of films those first four days (13 of the 18 films overall), it probably would have been even less. The reason? The buildup to the James Comey testimony, then the actual sessions, and the discussion in the aftermath ate up so much of my spare time on the weekdays that it was really hard to think about anything else.

This year has been so dominated by news about He-Who-Must-Be-Orange that it is no wonder that I have smothered my senses so intensely in movie after movie after movie. It's not the real reason that I watch so many films, but an outsider, knowing at the least of my political leanings, could only surmise that the continued presence of President Rage Toddler has me in such a deep depression that I can only find solace by immersing myself in film history. Well, he does not. He annoys the hell out of me every time I even think about his voice or face, but he has no effect on my film viewing hab…

This Week in Rixflix #12: May 26–June 1, 2017

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Yet another week, and we find ourselves with a generous slate of actual capsule reviews of several films that caught my eye in various ways in that span. The end of May meant that several television series that the wife and I follow were summing up with season (and sometimes series) finales, but we also found time to crack into new seasons of old favorites like the Unbreakable Kimmy Schmidt. We also spent several hours finally catching up on the last go-around for Grimm, though we still had three episodes left heading into the next week. But who could really concentrate when the looming presence of Wonder Woman premiering on June 2 overrode everything? Really, I just watched everything else to take my mind off that...
The Numbers: 

This week's feature-length film count: 20; 9 first-time viewings and 11 repeats.
Highest rated feature-length film: Rolling Thunder (1977) and Mister Roberts (1955) – 8/9
Lowest rated feature films: Ensign Pulver (1986), Caged Heat (1974) and Blue Crush 2 (…

This Week in Rixflix #11: May 19-25, 2017

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Forgive me if I am still trying, eleven attempts deep, to figure out exactly how I want to do things around here. I have been seeking the best approach in how to present these (meant to be) brief looks at the films that I have seen each week, without either overwhelming the reader with nearly two dozen reviews through which to sort nor destroying my own personal goals by not leaving any time for me to work on other projects and writing.

A couple of notes on what you have seen on these posts up to now and where I plan to go this and the following week in experimenting with my form...

Header Images
When you see a header image at the top of each article (which appears even larger on the home page at first), the tiny posters seen within that image really do represent the films that I have seen that particular week. They are not just random posters that have been assembled to form a backdrop. I seek out the original poster images, format them inside sizing templates I have built, and then com…

All or Nothing... Jonathan Demme Pt. 2: The '70s Features

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This is a continuation of my new regular Pylon series, All or Nothing...,  in which I try to tackle the remaining films in a particular filmmaker's oeuvre that I have yet to see. I am kicking off the series with a multi-part cleanup of the filmography of the recently departed Jonathan Demme, one of the most important directors in my lifetime. In Part 1, I tackled his 1974 women in prison flick, Caged Heat. This time, since his 1976 Peter Fonda flick Fighting Mad is apparently nowhere to be found, I recently watched and am now reviewing Demme's final two films of the 1970s, one of which turns out to come mighty close to being one of his masterpieces...
Citizens Band[aka Handle with Care] (1977) Dir.: Jonathan Demme – If you have just happened to catch the late actor Charles Napier in scores and scores of movie and television roles over the past few decades, and you were wondering what his defining role is, look no further. I didn’t know it before I got around to finally watching…

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