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Showing posts from 2011

Into Un-Flickchart-ed Waters: Halloween Alien Invasion Edition

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For someone who has the second highest quantity of total films seen on Flickchart and spends an undue amount of time ranking films there, I have not commented very much. I only have around 30 comments after 18 months on the site (not counting comments to other users of the site), and for someone that likes to blab on about films as much as I do, that's an odd thing. It's probably because Flickchart comments are better suited to brevity, which is something that I don't normally like to approach in my own time. I save that for work.
Some of my comments on Flickchart have essentially been entire essays, such as the type I used to post on here in days past before I was systematically calculating my own demise due to an unbearable recent depression. In a dual effort to pique my interest in writing personally again and to maintain a healthy presence on that site, I have determined a single, firm ground rule be applied to my next round of Flickchart posts and beyond. The ruling sh…

Flickchart Comment #30: Career Opportunities (1991) vs. The Coca-Cola Kid (1985)

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vs.
I don't think it would be out of bounds to state that most of us who engage routinely in cinematic discourse live somewhat of a lie. The same could be said of anyone who delves into any art form deep enough to begin to believe that their selections within their chosen medium are bred solely from a studied and intellectual set of criteria. Sure, it's fun to puff oneself up with pretension and attempt to convince others that the reason one attended a certain film was because of the director's mise-en-scène, the subtleties of framing used by a particular cinematographer, or one's appreciation for the underrated mumblings of the film's scruffy, cult figure of a star.

But, sometimes it just comes down to the boobs.

Possibly the truest models of the range of my youthful lust, Career Opportunities and The Coca-Cola Kid both came out within my twenties, and I saw them both in theatres. I saw The Coca-Cola Kid first, in what would now be described as an "arthouse cine…

Gamera Vs. All Mankind - Act III: Requiem

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A little, long-unfinished business here to which I must attend...

Under the Cinema 2 tab that now adorns the top of the Pylon, alongside the brace of other tabs to which I was recently given the means of installation, I have built a page featuring the initial sketch version of Gamera Vs. All Mankind, a short, operatic, animated film that my brother and I contrived based on somewhat of a dare from my best pal Leif.

I will dispense with the full story here, as I will be adding it to the Cinema 2 screen in the near future, where I have also placed the libretto for Acts I and II for those interested in what the wholly synthesized voices in the cartoon are singing. However, as all of this business was initially published on the website that I had built as the ultimate destination for those who visited the Pylon, it seems that I neglected to published Act III of Gamera vs. All Mankind here as a regular post.

If you are at all interested, click here to watch the very rough sketch version o…

The Return of the Blogger Named Me

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My apologies to anyone setting down here briefly over the next couple of weeks. Having gone AWOL from the blogging scene for roughly ten months (not entirely of my own choosing), and after weeks of telling myself that I just needed to jump back into it, I finally ran smack-dab into yesterday.

Luckily, yesterday was a Saturday, so I had the time I needed to deal with what I found when I opened up Blogger for the first time in ages. If it had been a weekday, I would have been in trouble. I would have gone to work thinking about everything I needed to do on Blogger instead of concentrating on my job (and right now, concentration is rather the most important weapon in my work arsenal, given that we are trying to complete the next issue of our magazine).
I returned to discover that Blogger had undergone several major changes. Thankfully, they were all to my liking. A cleaner, more efficient user interface and immediate access to site statistics were nice additions, and there are several oth…

Flickchart Comment #29: Escape from the Planet of the Apes (1971) vs. Killdozer (1974)

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This isn't really that tough a choice... as a lifelong Apes series fan, picking Escape (the third film) is a foregone conclusion. But, however ridiculous the title may seem, Killdozer holds far more cachet with me than one might imagine.
Both films were very important to me at the time of my life where I was slowly being morphed from a kid with no clear loves except for baseball (at which I was, and remain, a horrible player), conservation (I was an avid Ranger Rick reader in my youth) and being a general pain in the ass into a full-on science fiction and horror fan. My sources were few: with just the original three networks (ABC, NBC and CBS), a small local library, two bookstores and zero local theatres (we had to drive 14 miles to see Star Wars -- or any film -- when it first came out) at my disposal (and, of course, no VHS yet and the internet was still light years away), I somehow made the change. The media which inspired me most was clearly film, beginning with the original…

We now return you to your regularly scheduled diatribes...

The Pylon is back and open for business. Sorry to disappoint you.

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