Showing posts with label photos. Show all posts
Showing posts with label photos. Show all posts

Wednesday, October 25, 2017

Countdown to Halloween: Cars Land "Haul-O-Ween" Part II


My trip to Cars Land at Disney California Adventure with my mother-in-law Sande last week resulted in a wonderful batch of pictures featuring many of the decorative changes to the area for what they are calling "Haul-O-Ween" this year. It is easy for me to get jaded by such things, but Disney has really done an incredible job of making the whole of Cars Land a truly immersive holiday experience for everyone.

[You can check out Pt. I of this piece here.]


However, I didn't cover the area as much as I had originally wished in the relatively short time we had to visit Cars Land that afternoon. Luckily, I knew that I would get to spend at least a couple more chunks of time there in the coming week. With my friend Janie (wife of one of my oldest friends in the world, Tony) in town as she stayed with us for the weekend on a business break, I knew that Saturday would be a great chance to collect shots of some of the missing details.



First stop was the billboard at the entrance to Cars Land. This feature was proving to be a difficult shot, mainly because Disney constantly keeps a cast member photographer in front of the sign to take pics of every family or group that stops there. On the previous Thursday, I had a couple of brief chances to get a photo of the billboard, but there were always six or seven people standing right there, with some of their heads etc, obscuring the text and other minor details in the artwork. Sure, I could have easily taken their photo and be done with it – they were paying full attention to the actual working camera person and not little ol' me – but I still feel uncomfortable in "accidentally" capturing those I don't know on film without their knowledge or permission. That's right: I do have some small sense of ethics.



Despite my hesitations, I am getting pretty good at snapping quick shots in the small gaps in time between the photographer switching from one group of people to the next. Saturday, I had a more leisurely pace to the day, and Janie was fine with me taking whatever time I needed to get my shots. 


Me and Janie in the Spider-Car having a good time posing for 
the Disney Photo Pass person working this area.

Flo's V-8 Café, while certainly not my favorite place to eat in the area (regular diner fare not necessarily being my thing), does have a really cool design to the place. I love the way it looks normally, but for "Haul-O-Ween" they added a pretty menacing Spider-Car to the environs. Since I am a spider-lover, I was overjoyed to see this, but somehow skipped it on my first visit. The story behind the Spider-Car is that she has taken over the café entrance by spinning webs (made out of chains) from canopy to canopy outside. It looks marvelous.


Why, yes, friends who have not seen me recently,
I have put on even more weight... Why do you ask?

Timing is a big part of visiting any area of the Disney parks in regards to seeing your favorite characters. Cars Land has several car characters that drive through the area, talk to the visitors, and pose for photos at the Cozy Cone Motel or in the town square area. Each of the main cars has a Halloween costume this year (I listed them in Part 1). I got a chance to see the newest character, Cruz Ramirez, dressed as a pirate last week, but failed to get a picture; I also briefly saw Lightning McQueen in his superhero cape, but again wasn't able to angle around for a photo. And I missed out entirely seeing Mater, DJ, and Red the Firetruck.



This time, I was a little more lucky, but thanks to the brightness of the sun and the surrounding lines, my pics for Mater (as a "van-pire" above, nyuk nyuk) and Lightning (below), didn't turn out as well as I wished. In both pictures, you see the back end of people leaving or the front of someone walking into frame, as I shot them in between groupings for the paid cameraperson. The Mater picture does have an odd effect from the sunbeams glancing just past the edge of the motel office roof, causing a weird spotlight effect with the sun that just wouldn't be healthy if he really were a vampire.



I had posted a picture last time of the double signs for Mater's little kid ride – turned into the Graveyard JamBOOree for "Haul-O-Ween," but I wanted to get another shot of the smaller sign for greater detail this time. It kind of got lost in the bigger picture of the sign area.



Of course, Cars Land does have the weird subtext of some vehicles being treated basically like livestock, in what I can only imagine is some weird slavery scenario. One of the funnier scenes in the Cars films is when Mater teaches Lightning about "tractor tipping". This trend is continued in Mater's attraction at the park where not only does he sing along while a couple dozen tractors serves as seats for the ride, but he also has a small "petting zoo" area at the front of the attraction. The cute, little tractor that has to pose with all manner of filthy, smelly children is all wrapped up like a mummy for Haul-O-Ween".




Another part that I skipped the first go was Fillmore's Taste-In, mainly because I already had a bottle of water in my hand, so I had no reason to visit it. This time I made sure to duck in and get a couple of snaps of the commune-like refreshment stand. The first was of this rainbow-colored windmill, slightly transformed with Jack-O-Lantern-style faces...



... and the second was of this lonely little ghost car, projected upward by a large spring set inside an old tire. I like the purposeful rust effect on the whole affair.



While I had a shot of one of the many Jack-O-Lanterns last time in my picture of the Horn o' Plenty over at the Luigi attraction, I somehow missed this entire garden full of Jack-Oil-Lanterns alongside Sarge's Surplus Hut. I get even more annoyed that I missed them because right to the left of them is the spot where I shot the photo of two large spiders (made out of assorted parts) crawling up the side of Sarge's quonset hut. Love this garden!



Finally, we come to the car below, which I think is a nod to the upcoming Pixar feature, Coco. Not that this car doesn't belong in this "Haul-O-Ween" update, since it ties into the Mexican Day of the Dead and all, the beginning of said celebration usually starting on Oct. 31. If you can get to the park soon, I highly recommend visiting the Paradise Pier Grill for another lovely area promoting the film directly. Well worth your time. (And if you can't, I will have more on Coco and the Paradise Pier Grill area in another post next week.)

This was yet another stop where a photographer made it difficult to get a simple picture of the car. Luckily for me, the person having their picture taken was a fairly comely lass partly dressed up (I think) like one of the monster cheerleaders from the Pixar Parade. As I was snapping a series of pics to capture the image below, she suddenly came running through the frame past my camera, so I did get her (fleetingly) on film. But, because I didn't ask permission from her, I have not posted those photos.



There are still some details for which I was unable to get decent photos. Mostly this was due to the sunlight being so bright, and those details being behind windows in the town, so that my photos were basically reflected shots of me taking pictures of something indiscernible behind the glass. I will be in the park again tomorrow, but whether I will have the time to get more taken is unknown. If I do get any more, I am not going to have Part III, but I may work a couple more into this post instead.

RTJ

Saturday, October 29, 2016

Guillermo Del Toro: At Home with Monsters at LACMA 2016, Pt. 1


The inside entrance to At Home with Monsters, guarded by the
Angel of Death from Hellboy II: The Golden Army.

It was a long enough wait, and October 29th finally rolled around today. My brother Mark, his wife Marci, and my teenage nephew (and burgeoning rock star) Aerin were in town from the north part of the state to join Jen and I at the Guillermo del Toro exhibition at the Los Angeles County Museum of Art (aka LACMA). We had planned this excursion a few months earlier in July and I, like many horror and fantasy fans in the area, was just beyond waiting any longer to go see it.

Titled At Home with Monsters, the exhibition, curated by Mr. del Toro himself, was meant to do multiple things. First was to celebrate the art and films of the man himself; second, to pay tribute to the influences – from art to literature to cinematic or otherwise – that have influenced del Toro since his childhood days and straight through his remarkable career in film; and third, to give us a glimpse into what his inner sanctum is like, in this case, his home base (though it is not his actual home) in Los Angeles that he has named Bleak House after a favorite Dickens novel. (He has so much crammed into Bleak House, that he has a sequel house already called Bleak House 2.) Most of the contents of this exhibit, from paintings to sketches to models and even the life-sized statues of figures such as Edgar Allan Poe, H.P. Lovecraft, Frankenstein's Monster, and Johnny Eck (from Freaks) take up space in this place that also houses his working office, art studio, and research libraries.

I have decided to split this photo essay in two. This first part will feature photos of costumes, figures, and props related to Del Toro's own films; the second part will be exclusively devoted to objects in the exhibit portraying the wide range of influences on his talent and career.


The Faun from Pan's Labyrinth.

The Pale Man from Pan's Labyrinth.
In addition to the full-sized figures such as the characters above and below, many of the rooms had video screens on the walls that played montages (in loops) based around common themes in his work, such as Death and Resurrection, Monsters, or Beauty and Brutality. There were also several stations spread throughout the vast exhibit that allowed you to push buttons to select different pages that had been scanned from his working notebooks, to get a sense of how devoted he is to his craft at seemingly every moment of his life.

The Ghost of Edith's Mother from Crimson Peak.

An illuminated book created for Hellboy II: The Golden Army.

Insect paintings, sketches, and models in a section
mainly devoted to Mimic.

Costumes from Crimson Peak.

Weaponry and artifacts from the Hellboy films.

The Cronos Device (right) from Cronos.


Costume, weapon, and other pieces from the Hellboy films.


A wall-sized poster of a shot inside Del Toro's actual Bleak House.

Costumes from Pacific Rim.


An illuminated book from Pan's Labyrinth.


Pt. II, featuring some of Del Toro's major influences, will be posted tomorrow...

RTJ

Wednesday, October 19, 2016

Behind the Scenes at the Halloween Pez Reunion 2016

Behind the scenes at the Halloween Pez Reunion 2016 photo shoot... Could it be that somebody is a little miffed about being left out of the "scary character" shoot? What cruel thoughts are hidden behind that greasepaint smile? Is revenge on the way?


The Halloween Pez Reunion 2016

I think everyone that is supposed to be here is here...



The 50 Something or Other Songs of 2017: Part 2

In our last exciting episode, I reviewed tracks 50 through 31 on Rolling Stone's list of the Best 50 Songs of 2017 . How did those ...